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Blade Runner 2049 Review – Cells Within Sells

Blade Runner 2049 Review – Cells Within Sells

Published December 29, 2017.

 

UPDATE:

My journey of fighting economic inequality has lead me down the path of doing more a/v production. With an increased awareness of visual literacy and production methods I’m beginning to incorporate my background in economic histories with visual literacy.

 

I want to share some of the things I’ve been learning regarding film theory and how to deconstruct the process of production and the ideologies transmitted through film.

 

To this effect, I’m experimenting with doing a vlog series on Film Theory, if people are interested, I will produce more.

 

Thanks,

 

Kevlexicon

 

 

Sources:

 

List of Ethnic Groups in the United States by Median Household Income – Wikipedia

https://en.wikipedia.org/wiki/List_of_ethnic_groups_in_the_United_States_by_household_income

 

Taylor Sheridan – Wikipedia

https://en.wikipedia.org/wiki/Taylor_Sheridan

 

Dennis Villeneuve – Wikipedia

https://en.wikipedia.org/wiki/Denis_Villeneuve

 

Telefilm Canada – Wikipedia

https://en.wikipedia.org/wiki/Telefilm_Canada

 

Incendies – Wikipedia

https://en.wikipedia.org/wiki/Incendies

 

Prisoners – Anatomy of a Scene – NYTimes

https://www.youtube.com/watch?v=wCYRAH0jQH4

 

Scanners – Wikipedia

https://en.wikipedia.org/wiki/Scanners

 

Videodrome – Wikipedia

https://en.wikipedia.org/wiki/Videodrome

 

David Cronenberg – Wikipedia

https://en.wikipedia.org/wiki/David_Cronenberg

 

Hiam Abbas – Wikipedia

https://en.wikipedia.org/wiki/Hiam_Abbass

 

Daniel Day-Lewis – Wikipedia

https://en.wikipedia.org/wiki/Daniel_Day-Lewis

 

Jared Leto – Wikipedia

https://en.wikipedia.org/wiki/Jared_Leto

 

Richard Wright (author) – Wikipedia

https://en.wikipedia.org/wiki/Richard_Wright_(author)

 

 

Paul Dano – Wikipedia

https://en.wikipedia.org/wiki/Paul_Dano

 

I’d like to thank, particularly Channel Criswell, for exposing me to film theory and giving me some tools to begin deconstructing films on my own. Here’s some leads regarding film theory, visual literacy, audio design, production, and narrative direction.

 

Channel Criswell

https://www.youtube.com/watch?v=CvLQJReDhic

NerdWriter1

https://www.youtube.com/watch?v=v2soHxEN79c&t=2s

Cinefix

https://youtu.be/hWiIEiyWFTY

 

Every Frame a Painting

https://www.youtube.com/watch?v=Z1PCtIaM_GQ

 

Andyax

https://www.youtube.com/watch?v=iEFHXt94XWY

Now You See It

https://www.youtube.com/watch?v=8JUXtUeWUTQ

 

Film Riot

https://www.youtube.com/watch?v=95LGDKfvv-4

 

Tony & Chelsea Northrup

https://www.youtube.com/watch?v=WbsyglPqK6o

 

Armond White – The National Review

http://www.nationalreview.com/author/armond-white

 

Robert Mckee – Big Think Interview

https://www.youtube.com/watch?v=MMrPdxLqIlU

 

Bryan Peterson – Understanding Composition Field Guide

https://www.amazon.com/Bryan-Petersons-Understanding-Composition-Field/dp/0770433073/ref=sr_1_1?ie=UTF8&qid=1514470077&sr=8-1&keywords=bryan+peterson+composition+field+guide

 

Bryan Peterson – Understanding Exposure

https://www.amazon.com/Understanding-Exposure-Fourth-Photographs-Camera/dp/1607748509/ref=sr_1_1?s=books&ie=UTF8&qid=1514470149&sr=1-1&keywords=bryan+peterson+understanding+exposure

 

No Film School

https://nofilmschool.com/

 

B & H Photo

https://www.bhphotovideo.com/

 

Wikipedia

https://www.wikipedia.org/

 

 

*apologies on my french pronunciation, ahn-sahn-dee nutz yohh

 

*also apologies to Jared Leto, I don’t really have much cause for the dislike of his work as it may have come across.

 

This video is intended to provide commentary across bodies of work.

I do not own some of the source video content. The commentary is my own.

 

 

vimeo link:

https://vimeo.com/album/4913074

 

a Kevlexicon video

 

Contact: Kevlexicon@gmail.com

 

Asante Sana,

Contact: Kevlexicon@gmail.com

https://www.instagram.com/kevlexicon/

https://www.facebook.com/kevlexicon

2017-12-30
By: kevlexicon
On: December 30, 2017
In: Film Theory, Uncategorized, VLOG
Tagged: Academic, American Movies, Ana de Armas, Andyax, Armond White, Arrival, Benicio del Toro, Blade Runner 2049, Bryan Peterson, Canada, Channel Criswell, Cinefix, Cinematography, colonialism, Comancheria, Commentary, Commodification, Consumerism, Contemporary Film, Daniel Day-Lewis, David Cronenberg, Deconstruct, Demographics, Dennis Villeneuve, Directors, Economic History, Economic Inequality, Economic Neoliberalism, Editorial, Emily Blunt, Every Frame a Painting, feminism, Film, Film History, Film Riot, film theory, Filmmaking, finance, French Film, Gangs of New York, Gender Studies, Harrison Ford, Hell Or High Water, Hiam Abbass, Ideology, Incendies, jacobin, Jared Leto, Late Spring, LGBTQ, Martin Scorcese, Marxist, Modern Filmmaking, Movie Reviews, Nerdwriter1, NGOs, Now You See It, Objectification, Opinion, Paul Dano, Paul Thomas Anderson, Prisoners, Production, Queer Theory, Race in America, Richard Wright, Ridley Scott, Roger Deakins, Ryan Gosling, Scanners, Sicario, State Films, State-funded, Taylor Sheridan, Telefilm, There Will Be Blood, vice news, Videodrome, Wind River, Yasujiro Ozu
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